Some More From the Everglades

It’s been a busy week in the Everglades with my workshop and a show this weekend in Venice. So I took today off (except for a sunrise and sunset shoot at the Venice Rookery) to get caught up on things. I got some time to look at some photos, here’s a few from the past week…

I guess you could call this “the gator” part II, but like most sequels I’m not sure it’s as good as the first. No dragonfly on the eye and this guy isn’t looking strait at me but It’s the closest I’ve come to recreating the effect since shooting the original about 10 years ago.

I kind of like the crop on this guy, now that I have my own mat cutter I’ll be able to do more fun crops for art shows instead of being tied to the wholesale bulk standard sizes I’ve been getting.

This photo isn’t the greatest photo ever, but I thought it is a great example of what I call “micro lighting” at places like Corkscrew. Just like cypress strands have a micro climate, they also have great little pockets of lighting so you can shoot all day at Corkscrew. This photo was taken at noon (12:10 to be exact) and it has some fairly nice lighting going on.

Let’s face it, babies are cute- even alligator babies.

The hunter (a great blue heron) is being hunted! This alligator was taking interest in the snowy egrets and other birds at the marsh trail. I saw him stalking but he was never successful. I think birds are a tough catch for a gator.

A tri-colored heron does his distinctive dance across the water in search of a meal. Every species has it’s own hunting techniques. The great blue heron stands still for hours and waits, the snowy egret flies over the surface catching in mid flight and the tri-colored heron does a crazy dance running around sometimes flailing their wings around too.

A Few More Highlights From The Everglades

After a second week shooting in the Everglades I’m back in civilization and took some time to go through some more photos. Here are a few highlights from the past week. Enjoy!


Great egrets and ibis stake out their spots for the night in a rookery  after a day of feeding.

This is the first time a roseate spoonbill cooperated with me for a photo, and he hammed it up sitting in a small red mangrove.

The first roseate spoonbill had two friends he brought along as well. These two guys were about 30 feet from the spoonbill in the mangrove tree.

This photograph marks the first time I’ve ever taken an image worth sharing while sitting in my campsite having coffee. I was in my camp at Collier Seminole resting after my morning shoot and there this anole was, sunning himself on a sable palm frond.

This photo is an closeup of the feathers on the back of an anhinga as it was drying it’s wings in the distinctive anhinga pose holding out it’s wings to catch the sun. I got a chance to be this close with a cooperative anhinga and the help of the Corkscrew Swamp Sanctuary boardwalk.


Badly needed new web site! 

Here it is. After two weeks of attempting to lean Dreamweaver better by watching 16 hours of training DVDs and doing battle with div tags and CSS I’ve finally published my new web site. It’s not the slickest site in the world, but I  my first priority was to make it functional for the viewer and for me. I wanted a web site that was easy to update when I want to add new work. For better or worse here it is, check it out… www.camerongillie.com

Theodore Roosevelt National Park

I recently spent five days in Theodore Roosevelt National Park, one of my favorite places to shoot. It’s about as “middle of nowhere” as you can get. Unlike many other national parks if you stop on the road to shoot something for an hour maybe only a couple of other cars will come by, or none at all. So it is truly a temple to mother nature!

This area is also where Theodore Roosevelt gained much of his appreciation for the environment when he was a rancher along the Little Missouri River early in his life. Roosevelt is the man responsible for much of the preserved land we have in America today. There hasn’t been a president since him that had such a deep appreciation for the conservation of nature. So Theodore Roosevelt National Park is a special place in our nation’s history as well. It was fun to envision Roosevelt riding his horse along the Little Missouri River in the 1880’s on one of his many rides between Medora and his ranch farther down river. He would have no doubt ridden right by the Cottonwood Campground where I was camping on the banks of the same river. It probably looked pretty much the same to him then as it does to me today. That is the true magic of national parks, it’s like time machine looking back at America before we ever arrived here.

This year as I roamed around I focused a lot on the wild horses that are residents in the park. They are direct descendants of the horses used by the Plains Indians and the early cowboys of the west. Of course I came across some other things as well. Here are some of the better photos…

These two horses put on a nice display for me one afternoon while I was hiking. (I wish they would have done it in better light and not around noon, but I’ll take it) I was photographing two stallions grazing and then a mare came galloping full speed over a hill. She and one of the stallions spent a few minutes running around excitedly greeting each other. It made me a bit nervous standing out in the open with them running and jumping around. Wild horses don’t have the temperament of domesticated horses and can be dangerous. But they didn’t seem at all interested in me.

This is of course what grazing animals do most of the time, but this time at least there was some nice light.

I just can’t resist a few photos of the textures out in the badlands. The layers of soft stone formed from sand and volcanic ash are what give the badlands it’s signature eroded hills.

These are the two stallions that I was photographing before the mare came over the hill. (from the first photo in this post) When wild horses see you they usually head the other direction, or if you are lucky pay no attention, but these guys were very curious what I was doing and came in for a closer look.

This is one of my favorite photos from the trip. I wanted to get a prairie dog “barking” but got lucky with these guys doing a bark in unison for me. (which is more of a squeal than a bark if you ask me) There seems to be no rhyme or reason to when they decide to bark and it happens very fast so it’s harder than you would think to photograph. I spent a lot of time staring though the lens at prairie dogs to capture this.

This black stallion and mare spent a lot of time side by side one morning as I photographed a herd of about a dozen wild horses grazing. It was touching to see their affection for each other.

This isn’t the greatest photograph in the world, but I found this petrified tree fascinating. It’s still upright in the ground right where it was covered by volcanic ash millions of years ago. Now erosion has again brought this tree back into the sunlight. The badlands area was once a subtropical swamp when this cypress tree sprouted. (I’m not an expert in fossilized trees, but I’m assuming it is a cypress judging from it’s size and the fact that many of the petrified trees in the area are cypress trees) There are no signs or even footprints leading out to this tree about 100 yards off the park road. (There are no footprints of man, but plenty of bison hoof prints) It’s one of the reasons I love this park, it’s very untouched. Below is a photo of me next to the tree to show how big it is.

This bison was about 200 yards away from me while I was photographing the petrified tree and I couldn’t resist going over and seeing if he would cooperate for a photo. He seemed very content grazing on the grass and didn’t mind me coming in for a closeup. I maybe got closer to him than recommended, but he seemed more interested in fattening up for the coming winter than someone photographing him.

This wild horse was grazing on the lush grass in a stand of cottonwoods near the Little Missouri River and walked nicely into a shaft of late day light for me.

Another one of the endless texture photos to be had in the badlands.

This wild horse was part of large band of horses that usually stayed far off in the distance in the southeast corner of the park. The last morning they let me get a little closer for a nice sunrise shot.

I can’t pass up a close detail shot of a bison. This guy was right along the road one morning and gave me another chance to capture the dignity and power of these massive animals, this time from the safety of my pickup. I know it sounds kind of lame to photograph wildlife from your vehicle, but I have found that the pickup works nicely as a blind. The wildlife are used to the occasional vehicle and will pay much less attention to you in a car than if you were hiking. Besides, being 20 feet from a large bison is not a good idea on foot.

“Everybody’s a photographer” – H.H. Bennett,1902

I had the pleasure to visit the H.H. Bennett Studio in Wisconsin Dells recently. H.H. Bennett was one of the pioneering landscape photographers from the 19th century who helped elevate photography into a true art form. His camera equipment and darkroom were mostly handmade but he still captured very nice images of the Wisconsin Dells. This plaque is part of the  museum exhibit of his photographs, darkroom and studio that is still on main street in Wisconsin Dells where it has been for over a century.

The excerpt shown in the above photograph is from a letter he wrote in 1902 that really hit home for me and I’m sure will with any other professional photographer these days. History truly repeats itself.

It’s ironic that a professional photographer almost 110 years ago was lamenting the pressures from the newest technology of the day -The Kodak Brownie camera. Today of course it’s the digital camera. A phrase often exchanged in emails today between professional photographers is, “Everybody’s a photographer” and that same thought was being written in letters by the professionals of the early 20th century.

In a way it’s reassuring to me to read Bennett’s letter, photography as an art form survived the Kodak Brownie, so there is hope. The Bownie was a temporary setback for H.H. Bennett but his work is still being celebrated today over 100 years after his passing. I believe there will always be people out there who recognize the difference between an amateur’s photographs and professional’s body of work who has dedicated their lifetime to perfecting their craft.

Nobody would walk up to Eric Clapton and say, “Wow, what kind of guitar is that?” but the question “What kind of camera do you shoot with?” is asked of a photographer every day. It does get frustrating. There is something about the world of photography that leads people to believe it’s just an expensive camera that magically produces wonderful photographs. Maybe the photo magazines and the camera companies want you to believe that so you will run out and spend more money on camera gear? But I could go out and buy the same guitar that Eric Clapton owns and the noise I would make with it would not be music.

I had a conversation with an insightful gentleman who came into my booth at a recent art show that really raised my spirits after a long day of slow sales. He recited a great quote in reference to this obsession people have with cameras. “Two painters can converse for hours about art and never mention what kind of brushes they use.” He is certainly someone who understands that photography is not about the camera. He obviously is one of the people who sees the difference between an amateur’s photographs and a professional’s. So there is hope!

To learn more about the H.H. Bennett Studio  be sure to visit their web site or the Wikipedia page on Bennett